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Weighty Tomes - the Tragedy of Electra

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  For the past few months my go-to bedtime reading was the Princeton Encyclopedia of Poetry and Poetics. As part of my decades-long quest to slay the demons from my misspent youth, ploughing through this weighty tome has been on my to-do list for quite some time, and I’m pleased to say that I’m finally through with it, and have moved on to books that are much lighter (Shakespeare's Measure for Measure, at the moment). However it was an moderately-good cure for insomnia, and even good exercise - the book was so heavy that my wrist muscles seem stronger just from holding it all every night for months on end.  But as much as I did not enjoy the book, I did learn a lot from it. And one of the things that I am learnt is just how important the literature of ancient Greece (be it poetry, prose, or drama) is to the entire canon of Western literature. Basically, everything we write today is built off of the writing of the Greeks, or more accurately the misinterpretation of the writing ...
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How to Cheer and Boo - Your Essential Guide to Gay 90’s Melodrama

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The 2026 Grinder summer season at the Ennotville Library kicks off with Dirty Deeds at Handlebar Dan's House of Old Wives (or how Sally Simple saved the Sarsaparilla Saloon) July 17th and 18th. Thanks to cast member Nick (aka our hero Joshua Jehosephat) for the poster: I thought for this post we’d have some fun, and give you a quick primer on how to enjoy a Gay 90’s Melodrama. These kinds of plays are perfectly enjoyable just as they are, but they’re a lot more fun if you know a little bit about the conventions that shape the genre. So here we go! First, by the term ‘’Gay 90’s’’ melodrama, we mean the 1890’s, and we mean gay in the sense of the term that it meant at that time: happy, silly, and carefree. No offense to anyone who thought it meant something else. This is the "girl-tied-to-the-railroad-tracks" genre, in that there is almost invariably some reference to a train, a railroad, or a railway company of some sort. Some plays feature trains more than others. Acting...
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On the Cusp

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Coming this summer to a windshield near you.. . It's that time of year again. No, not the ''spring is sprung, grass is rizz'' nonsense, though we've got that in plenty around here right now (the copious pictures of cute baby animals will have to wait for another day). I'm talking about all things Grinder. Loyal readers of this blog will know that this is the time of year where the posting usually trails off, as I get overwhelmed by the operational demands of shows in production. I'm determined not to let that happen this year, but this post is already over two weeks behind schedule, so it's not looking promising... However, I am looking forward to this year's productions - they're completely different from what I've ever done before. Both shows are almost cast (I know, right!) and there's a level of excitement around the productions that I haven't seen at this early stage in a long time. I daresay I might even be starting to get e...
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Vacations

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Attentive readers of my previous post may have picked up on it, but last month we did something that we haven't done in several years - we went on a vacation. Ephesus. The Library. It was a glorious trip, not without its hiccups, but well worth the long period of saving and preparing (ours is not a get-up-and-go lifestyle). We were in need of a break, and we got it. Windy day at the Acropolis. And as is usually the case whenever I'm away from home the creative energy, and the time to indulge it, seem to come forth, and I found myself filling more than a couple of notebooks with material. There are some short plays that, admittedly, still need some work (Vampire Cowgirls, anyone?) and some ideas for longer works that coalesced on the waves into some concrete plans, some of which I've subsequently started on since coming home. Not everything I wrote will end up as a finished play - I know that, and I would be surprised if there's another gem hiding in the rough notes, but...
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Happy World Theatre Day

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  We were there Happy World Theatre Day everyone. Each year, on March 27th, we rally around all things theatre, and the power it has for good in our lives. If you're interested, here's the 2026 World Theatre Day Message, delivered pithily by Academy Award Winner Willem Dafoe:  https://youtu.be/gg15aPydLbE?si=2o2iiR1qrUFjKuM- But for me World Theatre Day isn't about aging celebrities and their words of wisdom, however inciteful. It isn't about the global force that theatre was, is, and will be, nor about its power to transform societies. And it isn't about politics, or even peace, justice, and human rights, vital as all those things are. For me World Theatre Day is, ultimately, a time of personal reflection.  I spent the first fifteen years of my life not knowing why I was here, or what I was supposed to be doing, and that caused me quite a few problems. I've written about the bullies of my childhood on this blog once or twice before, but I don't get into too...
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The Actor Factor

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  Actors suffering for their art... I recently got a series of text messages from a friend of mine about an article she'd read entitled "Community Theatre Audition Red Flags." She didn't send me the link, so I can't share it, but I'm actually kind of glad she didn't. It sounds like something that was written by a director who's been burned by bad actors one too many times, and has finally taken to social media to vent their frustrations.  I get it. I understand. I have been hurt, badly, by many actors in my time in community theatre. I've been hurt by actors mentally, physically, emotionally, financially, and in lots of other ways I'd rather not mention. I've had my name dragged through the mud, my artistic decisions, competency, integrity, and even my sanity called into question by actors with whom I failed to connect with in a positive way. Actors have destroyed my scripts, my productions, my entire company (a few times over) and have mad...
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From Maudlin to Enlightenment

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Should we try to go back again?   It's been a few weeks since my last rather maudlin post, and while I do want to thank everyone for their kind words and encouragement, and while I have to admit that many of the tribulations I laid out (and many that I didn't) remain unresolved, some things have changed, for the better. We are in a slightly better place, and it's time to return my focus to more enlightening matters. First off, some good news - a script of mine was accepted! I can't say when or where yet, except to say that it's just a very modest staged reading of one of my short plays. It's not going to make me more than pocket change, if that, but it's still a win, and I will take it.  Casting for the summer shows are also underway. This year I'm working with an assistant director for Dirty Deeds at Handlebar Dan's House of Old Wives, and splitting the workload is proving to be a great choice for getting things done. Definitely more enjoyable being...
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